The appropriate use of colour in photography adds dynamic elements to images to please our eyes. To create photographs to be proud of, we have to use colour to our advantage.
The appropriate use of colour in photography adds dynamic elements to images to please our eyes. To create photographs to be proud of, we have to use colour to our advantage.
Letting yourself go and neglect every possible rule you ever learned in photography can give surprising results like thinking out of the box. And why not try this in landscape photography?
A “fine art photographer” does not just capture what is in front of his camera at a particular moment. Fine-art photography is more than that.
Why shooting black and white?
Why would we return to black and white when our
cameras can catch so much colours? Isn’t black and white old fashioned?
To compose a subject well means no more than to see and present it in the strongest manner possible.
Good or bad weather, it doesn’t matter to the landscape photographers they must adapt. From the moment there is light, no matter how little, photography becomes possible.
While struggling with the definition of landscape photography, there is still an important question floating around: is there a place for people in a landscape photo?
Explaining landscape photography is rather difficult. The more I think about it the broader the definition seems to become. A landscape photo can be a wide-angle image of an impressive pristine area, a lake, an ocean, or as well a simple image of a flower in a pond.
In landscapes photos, the sky is usually very important. Most landscapes have either a dominant foreground or sky and if they are not there, the photo may seem annoying.